Deri n\u00eb shkuror\u00ebzimin e \u00e7iftit, piktura ndodhej n\u00eb sht\u00ebpin\u00eb e tyre t\u00eb shekullit t\u00eb 16-t\u00eb n\u00eb Norfolk, \u201cEast Barsham\u201d pran\u00eb Fakenhamit, e p\u00ebrshkruar nga Henry VIII si \u201crezidenca e tij t\u00eb vog\u00ebl n\u00eb fshat\u201d.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Piktura ishte realizuar nga artisti italian, Antonio Solario, i njohur si Lo Zingaro (Cigani), disa nga veprat e t\u00eb cilit ndodhen n\u00eb Galerin\u00eb Komb\u00ebtare n\u00eb Lond\u00ebr. Ajo ishte bler\u00eb nga muzeu \u201cBelluno\u201d n\u00eb vitin 1872 dhe ishte midis disa veprave q\u00eb u vodh\u00ebn nj\u00eb shekull m\u00eb pas. Disa prej tyre u gjet\u00ebn shpejt n\u00eb Austri, ku burri i De Dozsas e bleu piktur\u00ebn e Solarios nga nj\u00eb person i paidentifikuar.<\/p>\n
Vendndodhja e saj mbeti e panjohur deri n\u00eb vitin 2017 kur De Dozsa u p\u00ebrpoq ta shiste p\u00ebrmes nj\u00eb sht\u00ebpie ankandi rajonale, dhe u vu re nga dikush i lidhur me muzeun e Bellunos.<\/p>\n
Piktura iu kthye p\u00ebrkoh\u00ebsisht De Dozsas n\u00eb vitin 2020, pasi vonesat e shkaktuara nga izolimi p\u00ebr shkak t\u00eb COVID-it b\u00ebn\u00eb q\u00eb autoritetet italiane t\u00eb mos arrinin t\u00eb siguronin dokumentet p\u00ebrkat\u00ebse t\u00eb k\u00ebrkuara nga policia britanike.<\/p>\n
Gjat\u00eb viteve, Christopher Marinello, nj\u00eb avokat i specializuar p\u00ebr artin e vjedhur, ishte p\u00ebrpjekur vazhdimisht ta bindte at\u00eb t\u00eb \u201cb\u00ebnte gj\u00ebn\u00eb e duhur\u201d dhe ta kthente piktur\u00ebn n\u00eb Belluno. Ai e menaxhoi procesin e rikuperimit n\u00eb m\u00ebnyr\u00eb vullnetare sepse donte t\u00eb ndihmonte qytetin n\u00eb rajonin e Venetos n\u00eb Italin\u00eb veriore, nga ku kishte origjin\u00ebn familja e tij.<\/p>\n
De Dozsa n\u00eb fillim citoi Ligjin e Kufizimeve t\u00eb Mbret\u00ebris\u00eb s\u00eb Bashkuar t\u00eb vitit 1980, i cili thot\u00eb se nj\u00eb person q\u00eb blen mallra t\u00eb vjedhura mund t\u00eb njihet si pronar ligjor, n\u00ebse blerja nuk ka lidhje me vjedhjen dhe kan\u00eb kaluar m\u00eb shum\u00eb se gjasht\u00eb vjet prej kur \u00ebsht\u00eb kryer blerja.<\/p>\n
Marinello e hodhi posht\u00eb k\u00ebt\u00eb argument duke e cil\u00ebsuar si \u201cabsurditet\u201d.<\/p>\n
\u201cEdhe pse Ligji i Kufizimeve i Mbret\u00ebris\u00eb s\u00eb Bashkuar mb\u00ebshteste q\u00ebndrimin e saj, fakti q\u00eb piktura ishte e listuar n\u00eb bazat e t\u00eb dh\u00ebnave t\u00eb artit t\u00eb vjedhur t\u00eb Interpolit dhe Karabinier\u00ebve, n\u00ebnkuptonte se ajo nuk mund t\u00eb shitej, ekspozohej apo transportohej pa rrezikuar sekuestrimin\u201d, ka th\u00ebn\u00eb ai.<\/p>\n
Marinello \u00ebsht\u00eb themelues i organizat\u00ebs \u201cArt Recovery International\u201d, q\u00eb fokusohet n\u00eb artin e vjedhur ose t\u00eb pla\u00e7kitur dhe ka zyra n\u00eb Lond\u00ebr, Venecia dhe New York. Rikuperimet e tij t\u00eb m\u00ebparshme p\u00ebrfshijn\u00eb nj\u00eb piktur\u00eb t\u00eb Matisseit q\u00eb ishte vjedhur n\u00eb vitin 1987 nga Muzeu i Artit Modern n\u00eb Stokholm, dhe ishte zhdukur pa gjurm\u00eb p\u00ebr 25 vjet derisa u rishfaq n\u00eb Lond\u00ebr.<\/p>\n
De Dozsa p\u00ebrfundimisht pranoi ta dor\u00ebzonte piktur\u00ebn pa kushte n\u00eb Belluno.<\/p>\n
\u201cAjo m\u00eb ka rikthyer besimin te njer\u00ebzimi n\u00eb nj\u00eb koh\u00eb kur kaq shum\u00eb posedues t\u00eb veprave t\u00eb vjedhura t\u00eb artit p\u00ebrpiqen t\u00eb mos i dor\u00ebzojn\u00eb ato. Pavar\u00ebsisht t\u00eb drejtave t\u00eb viktim\u00ebs, njer\u00ebzit nuk kan\u00eb m\u00eb ndjeshm\u00ebri \u2013 dhe ajo e tregoi t\u00eb kund\u00ebrt\u00ebn\u201d, ka th\u00ebn\u00eb avokati.<\/p>\n
Duke b\u00ebr\u00eb shaka, Marinello tha: \u201cKur b\u00ebhet fjal\u00eb p\u00ebr kthimin e artit t\u00eb vjedhur dhe p\u00ebr t\u00eb b\u00ebr\u00eb gj\u00ebn\u00eb e duhur, mund t\u00eb jem bezdis\u00ebs dhe jasht\u00ebzakonisht k\u00ebmb\u00ebngul\u00ebs. Por n\u00eb fund t\u00eb fundit, ishte vendimi i Barbara de Dozsas dhe ajo b\u00ebri zgjedhjen e duhur\u201d.<\/p>\n
Ai fal\u00ebnderoi \u201cArte Generali\u201d, kompanin\u00eb e sigurimeve t\u00eb artit q\u00eb e b\u00ebri t\u00eb mundur rigjetjen e piktur\u00ebs me nj\u00eb donacion p\u00ebr t\u00eb mbuluar kostot logjistike, megjith\u00ebse nuk kishte lidhje direkte me k\u00ebt\u00eb rast.<\/p>\n
\u201cPa mb\u00ebshtetjen e tyre, ky kthim nuk do t\u00eb kishte ndodhur kurr\u00eb\u201d, ka th\u00ebn\u00eb n\u00eb fund, Marinello.<\/p>\n
Nj\u00eb tjet\u00ebr piktur\u00eb \u201cMadonna and Child\u201d, nga artisti italian i shekullit t\u00eb 19-t\u00eb, Placido Fabris, \u00ebsht\u00eb midis veprave t\u00eb tjera t\u00eb vjedhura nga muzeu Belluno, q\u00eb ende mungojn\u00eb. Ato jan\u00eb t\u00eb listuara n\u00eb baz\u00ebn e t\u00eb dh\u00ebnave t\u00eb artit t\u00eb vjedhur t\u00eb Karabinier\u00ebve.<\/p>\n
Marinello i b\u00ebn thirrje publikut ta kontaktoj\u00eb n\u00ebse i v\u00ebrejn\u00eb ato n\u00eb koleksione private apo publike:<\/p>\n
\u201cPiktura e artistit Solario arriti deri n\u00eb Britani t\u00eb Madhe \u2013 pse jo edhe k\u00ebto?\u201d, ka th\u00ebn\u00eb ai.
\nOscar De Pellegrin, kryetari i bashkis\u00eb s\u00eb Bellunos, tha: \u201cKthimi i k\u00ebsaj pikture n\u00eb qytet do t\u00eb thot\u00eb t\u2019i jap\u00ebsh nj\u00eb fragment t\u00eb identitetit, historis\u00eb dhe shpirtit t\u00eb tij\u201d.<\/p>\n
Barbara de Dozsa nuk pranoi t\u00eb prononcohet p\u00ebr \u201cThe Guardian\u201d.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Rome, 24 Korrik 2025 Barbara de Dozsa kishte argumentuar pron\u00ebsin\u00eb, sepse vepra e artistit italian Solario ishte bler\u00eb me mir\u00ebbesim. Ajo kishte refuzuar ta kthente<\/p>\n","protected":false},"author":1,"featured_media":4970,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-4969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kulture-sq"],"yoast_head":"\n
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